the frustration of photographing something amazing when thousands of identical photos already exist-the same sunset, the same waterfall, the same curve of a hip, the same closeup of an eye-which can turn a unique subject into something hollow and pulpy and cheap, like a mass-produced piece of furniture you happen to have assembled yourself. the desire to care less about things-to loosen your grip on your life, to stop glancing behind you every few steps, afraid that someone will snatch it from you before you reach the end zone-rather to hold your life loosely and playfully, like a volleyball, keeping it in the air, with only quick fleeting interventions, bouncing freely in the hands of trusted friends, always in play. the realization that the plot of your life doesn’t make sense to you anymore-that although you thought you were following the arc of the story, you keep finding yourself immersed in passages you don’t understand, that don’t even seem to belong in the same genre-which requires you to go back and reread the chapters you had originally skimmed to get to the good parts, only to learn that all along you were supposed to choose your own adventure. a kind of melancholic trance in which you become completely absorbed in vivid sensory details-raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee-briefly soaking in the experience of being alive, an act that is done purely for its own sake. the awareness of the smallness of your perspective, by which you couldn’t possibly draw any meaningful conclusions at all, about the world or the past or the complexities of culture, because although your life is an epic and unrepeatable anecdote, it still only has a sample size of one, and may end up being the control for a much wilder experiment happening in the next room. weariness with the same old issues that you’ve always had-the same boring flaws and anxieties you’ve been gnawing on for years, which leaves them soggy and tasteless and inert, with nothing interesting left to think about, nothing left to do but spit them out and wander off to the backyard, ready to dig up some fresher pain you might have buried long ago. the amniotic tranquility of being indoors during a thunderstorm, listening to waves of rain pattering against the roof like an argument upstairs, whose muffled words are unintelligible but whose crackling release of built-up tension you understand perfectly. finding a person so attractive it actually kinda pisses you off. the realization that each random passerby is living a life as vivid and complex as your own-populated with their own ambitions, friends, routines, worries and inherited craziness-an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk. a phenomenon in which you have an active social life but very few close friends-people who you can trust, who you can be yourself with, who can help flush out the weird psychological toxins that tend to accumulate over time-which is a form of acute social malnutrition in which even if you devour an entire buffet of chitchat, you’ll still feel pangs of hunger. Imagine standing in front of the departures screen at an airport, flickering over with strange place names like other people’s passwords, each representing one more thing you’ll never get to see before you die-and all because, as the arrow on the map helpfully points out, you are here. the awareness of how little of the world you’ll experience. BUT of course, I have a lot of friends - most especially the avid photographers - who go through vemodalen! Let me know if you also have the same sentiments.N. So, I never actually felt this… because though there are tons of ‘duplicates’, I still like to make my own and say that “Ah, I shot this!”. Swedish place names are the source of IKEA’s product names - the original metaphor for this idea was that these clichéd photos are a kind of prefabricated furniture that you happen to have built yourself. “The frustration of photographing something amazing when thousands of identical photos already exist - the same sunset, the same waterfall - which can turn a unique subject into something hollow and pulpy and cheap.”ĮTYMOLOGY: From the Swedish word vemod which means “tender sadness, pensive melancholy” and then combined with Vemdalen, the name of a Swedish town. The frustration of photographing something amazing when thousands of identical photos already exist ( Noun / Origin: Dictionary of Obscure Sorrows / ve
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